Synopsis- Constance Frederica Gordon-Cumming, Scots born to a large and influential family was both an author, traveler and accomplished artist. She was also an unusual woman of her time, outspoken and independent moving from continent to continent, country to country alone and seemingly without any clear cut foreward planning. I first came across her story while researching my great grandmother Geraldine Sweeny McGowan's time in Levuka, Fiji.
I felt the artist deserved a story of her own... Part 2 follows her to California and the Yosemite Valley, a story she recounts in one of her travel books.
CALIFORNIA,
YOSEMITE VALLEY 1878
Constance
didn’t make it back to Fiji, Tasmania and the promise of a Christmas spent with
the Governor of Fiji’s wife Lady Gordon.
Instead she pushed on to San Francisco and an 1878 visit to America’s
Yosemite Valley that stretched from its original 3 days to a stay of 3
months.
In
her book about her time in America entitled Granite
Crags she wrote “I for one have
wandered far enough over the wide world to know a unique glory when I am
blessed by the sight of one..”.
Her
watercolour sketches became the subjects of Yosemite’s first art exhibition,
her travelogue entitled Granite Craigs
an account of the months she spent in the redwood forests of the San Joaquin
Valley, Yosemite, Oakland, the Tulare Lake and the Sacramento Valley.
The
only way to explore the rugged country was by horse. On an expedition to a high glacier ridge she
painted this word picture of her companions.
‘The owners of the sure
footed horses of the valley pride themselves on the fact there has never yet
been accident, though hundreds of tourists who look as if they had lived all
their lives in paved cities, and are wholly guiltless of any notion of riding,
annually deliver themselves over to the guides, who place them on the backs of
unknown ponies, arrange them in Indian file, and adroitly steer them up and
down most fearfully dangerous trails, where one false step or stumble would
probably land pony and rider right down in the valley in the form of a jelly.’
Eka
was obviously entranced by the forests and lakes of Yosemite and spent much of
her time sketching the local tribes. In
her book entitled ‘Granite Craigs’ she
covered all this in detail along with probing and amusing insights of the
fellow travellers she met along the way.
In
many cases her pen was far more cutting than her brushes and canvas.
During
her long stay she took a room in a comfortable lodge set in the midst of lake
and mountain. ‘To me,’ she wrote in her journal, ‘half the charm of this place is that though there are now a great
number of people in the valley, including some who are very pleasant, there is
not the slightest occasion ever to see anyone except at meals and then only
supposing you happen to come in at orthodox hours which is quite voluntary.’
She
obviously mixed at various times with these short term visitors but found their
manners and habits a bit wearying.
‘One thing I really cannot attain to’ she
noted, ‘is the invariable custom of
addressing one another as “Ma’ám and Sir”.
I know they think me very ill-bred but there are limits beyond which
assimilation cannot go. I try to excuse
myself on the plea that we (in England) reserve such honour for royalties, but
I doubt if the excuse is considered valid.’
There
were occasions though where she found her American counterparts quite amazing…
‘I notice with interest and curiosity the
number of ladies, both English and American who find their way here. In all my previous wanderings extending over
a period of eight years I have only met one woman traveling absolutely for
pleasure. Here there are many.’
This
observation in ‘Granite Craigs’ is
followed by a curiously worded but no doubt innocent remark about yet another
guest… ‘But the most interesting of my
new acquaintances is a very handsome young American doctor to whom I honestly
confess I should lose my heart were I a young patient! A good linguist, a good musician, clever and
intellectual… The most curious thing about it is, that my doctor wears the most
dainty little feminine garments, and first attracted my attention by the charm
of a pensive Madonna-like beauty. In
short, she is a handsome well educated American girl travelling with her
parents, who are pleasant as herself.
‘Judge my astonishment
when she told me that she hoped I would look her up at the medical college in
Philadelphia and hopes soon to start in regular practice, in which she tells me
many women are now making their ten or fifteen thousand a year. (Dollars, not
pounds.)’
Yet
another subtle but revealing interchange with fellow tourists was recorded in ‘Granite Craigs’…
‘At the foot of the
pass (I) met an English lady and gentleman on foot. Un-British like, we actually exchanged
greetings! Two keen fishermen met on common ground, then we discovered such
home links as determined us to meet again; but having made no definite tryst we
missed one another in each attempt. (A year later we met(by chance) in Japan
and ascended Fuji-yama together.)
____
Her
books weren’t only recollections of her travels and fellow travellers; in Granite Craigs she describes in detail
the area’s hydraulic mining operations and the quartz mining near Sonora while
in the vast redwood forests she establishes her views on ecology and the
downside to logging…
The largest Sequoia that has yet
been discovered is on King’s river, about forty miles from Visalia. It is
forty-four feet in diameter— one
hundred and thirty-two feet in circumference! Wouldn’t an English
forester open his eyes pretty wide at such a giant as this! Happily for all
lovers of the beautiful, the owners of saw-mills find that they cannot well
“handle” these monarchs—they are not “convenient” either to saw down or to cut
up; so, although the young ones are ruthlessly destroyed (I ought to say
utilised for timber), the Big Trees are mercifully spared. Long may they live!
This lithograph by an unknown
artist shows only too well the blithe destruction of these forest giants.
Her
books were largely derided by the mostly male writers of the time. Constance
Frederica obviously didn’t fit their image of a Victorian woman’s demeanour of
delicate manner, dependent on their menfolk.
One critic, the author Henry Adams went so far as to describe her books
as a mere collection of anecdotes without much interest.
Silly
man, such autobiographical travel books rate among today’s best sellers and all
Gordon-Cumming’s books are still available, some in hard cover and all in E
book form.
____
NOT EASY NAMING A BOOK
Those first years in India and Ceylon with her sister’s
family led to the publication of one of her earliest books and this delightful
account regarding it’s title.
When it came time to
put into print her experiences in Ceylon, the publishers with considerable
humour introduced her book with this light hearted preface…
What can be the reason that writers on Ceylon seem impelled to
describe their book as a term of years?...
' Fifty Years in Ceylon.' An Autobiography by Major
Thomas Skinner.
' Eleven Years in Ceylon.' By Major Forbes, 78th High-
landers.
' Eight Years in Ceylon,' By Sir Samuel Baker.
' Seven Years in Ceylon.' By Mary and Margaret
Leitch. … and finally…
' Fifty Years in Ceylon.' An Autobiography by Major
Thomas Skinner.
' Eleven Years in Ceylon.' By Major Forbes, 78th High-
landers.
' Eight Years in Ceylon,' By Sir Samuel Baker.
' Seven Years in Ceylon.' By Mary and Margaret
Leitch. … and finally…
'Two Happy Years in Ceylon,' by C. F. Gordon-Cumming…
who
had so named her notes of pleasant days in the fair Isle, before realising that
any of her predecessors had thus described their longer terms of residence
therein.'' Ramboda Pass, Ceylon by C.F. Gordon Cumming |
______
PAGODAS,
AURIOLES AND UMBRELLAS
This
handwritten draft form of the book is part of a collection held in Cambridge
archives.
Constance
Frederica, or ‘Eka’ as she preferred was a prolific writer. Her travelogues and articles were featured in
just about every British magazine of the day and received with favourable
comments by newspaper critics from the Manchester Guardian, the Newcastle
Chronicle, Liverpool Mercury, The Observer and the Daily Telegraph to name only
a few.
'We
have no more fascinating writer than the lady who made so many friends by her
former books. Miss Gordon Cumming has made herself mistress of the art of
descriptive writing. She is an acute observer of men and things.'— Leeds Mercury.
'
Altogether, this is one of Miss Gordon Cumming's best works, and may safely be
recommended to lovers of travel-literature,' — Globe.
'
A book to be read without delay’. . . . Miss Gordon Cumming continues to' keep
the reader charmed at every step.' — Methodist Recorder.
Fascinated
by history’s almost constant passing parade of ceremonial umbrellas and
elaborate shelters she sketched the beauty of times past capturing its mystery
and pageant. Her subjects were diverse;
from Egypt and Morocco to the Indian sub continent, China and Japan, the
islands of Polynesia, Australia and New Zealand and the Americas. All were grist for her mill.
In
compiling some of her shorter articles for magazines she, or perhaps her editor
was not averse to including the works of others. In the case of Pagodas, Aurioles and Umbrellas she interspersed her own work with
that of the travelling journalist for the Illustrated
London News, William Simpson. His sketch below of a Moroccan procession
obviously caught her professional eye.
As
did another of his works sketched in China, shown in the next chapter. He
shared with Constance a keen interest in life’s passing parade. There is little doubt that their paths
crossed, both in northern Africa and in China where both observed and recorded
the sights and smells of countries abounding with colourful pageantry.
It’s difficult to
imagine how she managed while traveling, her paraphernalia of easel, sketch
books, paints, not to mention journals and personal needs must have been
cumbersome.
Her life appeared to be
constantly in flux, her home for months on end a suitcase, though for the 1870’s I imagine this
was a sturdy cabin trunk.
Ahead for her now is the ocean crossing from North
America to Japan.
_________
NEXT: In Part 3 of Constance Gordon-Cummings life
and times the artist takes ship to the Orient where we pick up her story as she
prepares to climb Mt Fuji. Her next stop
will be Hong Kong and an eventual chance meeting in Peking that will change her
life forever.
Robyn
Mortimer 2013-03-08
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